Programmable Logic DesignLine Blog
Well, Swoosh Me!
Clive Maxfield
10/10/2012 12:23 PM EDT
I have to admit to being a tad flabbergasted. In fact, I think it's fair to say that my "flabber" has rarely been quite so "gasted," because a "swoosh" just took me completely by surprise (and it's not often you'll hear me say that)!
As you may recall, my current hobby project is to build a mosaic – my interpretation of Vincent van Gogh's The Starry Night.
I tell you – I've discovered that I can sit and look at this for hours – and every time I look at it I discover something new…
…speaking of which, before we proceed further, take a look at the "swirly part" in the middle of the sky. I'm talking about the lighter blue and white part that starts in the upper left of the image, passes behind the tree (which my wife is convinced is a castle), and then cascades across the middle of the image – sort of reminiscent of a wave crashing on the beach. I personally refer to this as "The Swoosh."
So, my question to you is "What do you think 'The Swoosh' represents?"
Now, while you are contemplating your answer, and because I don’t want you to see the final image in this column just yet, let's remind ourselves of the current state of play, which is that I've finished the base / frame as shown below:
In order to give my version a touch of three-dimensionality / depth, I've used layers of pressed board to represent the mountains and the tree (Click Here to see a slideshow of my progress thus far).
I've also purchased a small kiln with which to make my own ceramic tiles, and I've started to experiment with different tiling techniques and glazes. The bottom line is that I'm having a wonderful time and learning a lot, which brings me back to "The Swoosh."
A few years ago, a friend and I drove to the southern part of Texas to spend a week sleeping in the day and observing the heavens at night. This was a "Dark-Sky" area where there is almost zero light pollution, so the night sky was absolutely incredible. In particular, the view of our galaxy – the Milky Way – took my breath away:
The thing is that, when I first saw "The Starry Night", I absolutely assumed that "The Swoosh" was intended to represent the Milky Way. Since then, I've discussed this with several other people, and they've either agreed with me or said that they thought it represented a comet.
And then, just a few days ago as I pen these words, I was reading the latest issue of Time Magazine when I saw a picture that was described as a "Van-Gogh-esque aurora" as shown below:
OMG! I had assumed that the yellowish area just above the top of the hills in The Starry Night was the aurora, but now I've seen this photograph I am a convert. I am now 100% convinced that "The Swoosh" is supposed to be an aurora. (Do you agree? Did you think "The Swoosh" was something else and does this picture change your mind? Or do you still think "The Swoosh" is something else?)
But this has left me in a quandary (which doesn’t go with my shirt and shorts). I understand that van Gogh was essentially creating a study in blue and yellow, and thus he restricted his color palette accordingly. But for myself, I always think of an aurora in terms of neon greens and yellows and purples.
So I'm torn. On the one hand, who am I to second guess the master? On the other hand, it's my $%^% mosaic and I can do what I like. Maybe if I use the colors of my choice to create "The Swoosh," my version will end up being the more valuable (grin).
The great thing is that nothing is fixed in stone (or ceramic in this case) until it's stuck down on the board, so I think I'm going to end up experimenting with a couple of different Swooshes to see which one I like best.
What do you think? Should I stick with van Gogh's interpretation, or should I gird up my loins, pull up my shorts, and stride boldly forth as "van Max"?
If you found this article to be interest, visit Microcontroller / MCU Designline where – in addition to my Max's Cool Beans blogs on all sorts of "stuff" – you will find the latest and greatest design, technology, product, and news articles with regard to all aspects of designing and using microcontrollers.
Also, you can obtain a highlights update delivered directly to your inbox by signing up for my weekly newsletter – just Click Here to request this newsletter using the Manage Newsletters tab (if you aren't already a member you'll be asked to register, but it's free and painless so don't let that stop you [grin]).
Last but certainly not least, make sure you check out all of the discussions and other information resources at All Programmable Planet. For example, in addition to blogs by yours truly, microcontroller expert Duane Benson is learning how to use FPGAs to augment (sometimes replace) the MCUs in his robot (and other) projects.
As you may recall, my current hobby project is to build a mosaic – my interpretation of Vincent van Gogh's The Starry Night.
I tell you – I've discovered that I can sit and look at this for hours – and every time I look at it I discover something new…
…speaking of which, before we proceed further, take a look at the "swirly part" in the middle of the sky. I'm talking about the lighter blue and white part that starts in the upper left of the image, passes behind the tree (which my wife is convinced is a castle), and then cascades across the middle of the image – sort of reminiscent of a wave crashing on the beach. I personally refer to this as "The Swoosh."
So, my question to you is "What do you think 'The Swoosh' represents?"
Now, while you are contemplating your answer, and because I don’t want you to see the final image in this column just yet, let's remind ourselves of the current state of play, which is that I've finished the base / frame as shown below:
In order to give my version a touch of three-dimensionality / depth, I've used layers of pressed board to represent the mountains and the tree (Click Here to see a slideshow of my progress thus far).
I've also purchased a small kiln with which to make my own ceramic tiles, and I've started to experiment with different tiling techniques and glazes. The bottom line is that I'm having a wonderful time and learning a lot, which brings me back to "The Swoosh."
A few years ago, a friend and I drove to the southern part of Texas to spend a week sleeping in the day and observing the heavens at night. This was a "Dark-Sky" area where there is almost zero light pollution, so the night sky was absolutely incredible. In particular, the view of our galaxy – the Milky Way – took my breath away:
The thing is that, when I first saw "The Starry Night", I absolutely assumed that "The Swoosh" was intended to represent the Milky Way. Since then, I've discussed this with several other people, and they've either agreed with me or said that they thought it represented a comet.
And then, just a few days ago as I pen these words, I was reading the latest issue of Time Magazine when I saw a picture that was described as a "Van-Gogh-esque aurora" as shown below:
OMG! I had assumed that the yellowish area just above the top of the hills in The Starry Night was the aurora, but now I've seen this photograph I am a convert. I am now 100% convinced that "The Swoosh" is supposed to be an aurora. (Do you agree? Did you think "The Swoosh" was something else and does this picture change your mind? Or do you still think "The Swoosh" is something else?)
But this has left me in a quandary (which doesn’t go with my shirt and shorts). I understand that van Gogh was essentially creating a study in blue and yellow, and thus he restricted his color palette accordingly. But for myself, I always think of an aurora in terms of neon greens and yellows and purples.
So I'm torn. On the one hand, who am I to second guess the master? On the other hand, it's my $%^% mosaic and I can do what I like. Maybe if I use the colors of my choice to create "The Swoosh," my version will end up being the more valuable (grin).
The great thing is that nothing is fixed in stone (or ceramic in this case) until it's stuck down on the board, so I think I'm going to end up experimenting with a couple of different Swooshes to see which one I like best.
What do you think? Should I stick with van Gogh's interpretation, or should I gird up my loins, pull up my shorts, and stride boldly forth as "van Max"?
If you found this article to be interest, visit Microcontroller / MCU Designline where – in addition to my Max's Cool Beans blogs on all sorts of "stuff" – you will find the latest and greatest design, technology, product, and news articles with regard to all aspects of designing and using microcontrollers.
Also, you can obtain a highlights update delivered directly to your inbox by signing up for my weekly newsletter – just Click Here to request this newsletter using the Manage Newsletters tab (if you aren't already a member you'll be asked to register, but it's free and painless so don't let that stop you [grin]).
Last but certainly not least, make sure you check out all of the discussions and other information resources at All Programmable Planet. For example, in addition to blogs by yours truly, microcontroller expert Duane Benson is learning how to use FPGAs to augment (sometimes replace) the MCUs in his robot (and other) projects.
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ReneCardenas
10/10/2012 6:12 PM EDT
Max,
An interesting point you make with the aurora resemblance to the Van Goh's swoosh, but I have to agree with the early assement, that was also my immediate thought, as I took anoter look at that spot on the Starry nigth depiction.
To me it is the magic of a brigth nigth, that can take your breath away as it pulls your imagination with the forces that must be present that keeps everything in balance.
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David Ashton
10/10/2012 8:34 PM EDT
@Rene: "To me it is the magic of a brigth nigth". I'm glad soneome else has problems telling his fingers what to type... :-)
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David Ashton
10/10/2012 9:47 PM EDT
I meant "someone". QED....
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Steve_B
10/11/2012 8:39 AM EDT
To quote my favorite Doonesbury cartoon: "Poofread everything"
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ReneCardenas
10/11/2012 10:07 AM EDT
David, my friend QED in deed, when fingers faster than our thoughts.
;-)
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3Stanly
10/11/2012 3:18 AM EDT
I always thought that the swoosh was an interpretation of Yin and Yang and that the aurora was named after the painting? The Don McLean song talks about how the world is different to different people.
B.T.W is there going to be a hidden turn table which plays the song when it detects someone humming it?
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Max the Magnificent
10/11/2012 9:23 AM EDT
Hmmm -- Yin and Yang ... do you think Vincent was aware of that concept?
Check out the video in the comment below -- INCREDIBLY!!!
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Max the Magnificent
10/11/2012 9:24 AM EDT
I meant INCREDIBLE (David has "spooked" me :-)
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David Ashton
10/11/2012 5:38 PM EDT
I often seem to have that effect on people.... :-)
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djohns
10/11/2012 6:14 AM EDT
If you haven't seen this and you like this painting (obviously) then have a look: http://vimeo.com/36466564 or do a search for "van gogh starry night animated." He used OpenFrameworks and c++ to create it. Fun for us diehard c++ programmers.
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Max the Magnificent
10/11/2012 9:09 AM EDT
OMG This is amazing -- and apparently the iPad app is already available (I will be downloading it this evening as soon as I get home)
THANK YOU so much for sharing this!!!
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David Ashton
10/11/2012 5:45 PM EDT
So there you go Max. Translucent tiles for your mosaic, LED backlighting controlled by an FPGA or two and yours too can be like that?
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Max the Magnificent
10/11/2012 5:54 PM EDT
It might be quicker (and easier) for me to start taking hallucinogenic drugs :-)
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wcolley3
10/11/2012 9:08 AM EDT
We can't ask the artist, so the question of what The Swoosh represented to him is unanswerable unless he wrote it down somewhere. What it represents to you is whatever you want it to represent. I see no problem in that.
I don't think of it representing anything in particular. It's just a lovely part of a lovely work to be admired for itself and its contribution to the whole work.
And my opinion combined with a couple of dollars might buy you a cup of coffee which is OK, too.
Max, if you want to try it in different colors, go for it. As you say, until you glue down the tiles, it's not set in, uh, epoxy? You'll have a ton of fun trying different colors which is the point of the exercise, is it not? And if you can't better "the answer in the back of the book", you can always fall back on that and get a fine result.
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Max the Magnificent
10/11/2012 9:11 AM EDT
Thanks for the encouragement -- my head is brimming with ideas -- I cannot tell you how I'm buzzing along -- it will be several weeks before I have something to show, but I think you'll find it interesting ... watch this space :-)
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clematis
10/11/2012 11:02 AM EDT
I think it represents what Vincent actually saw. Don't forget that he was mentally ill. And many people with certain kinds of mental illness report that they sometimes see the world in this "swirly" fashion.
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paul_schnizlein
10/11/2012 12:08 PM EDT
This is a fine place to discuss fine art! To me, it represents wind. I can feel it swaying that tall pine tree. Do whatever you want with your loins, Max, but you don't need to pull up your shorts. Au natural is a better way to make art.
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lcovey
10/11/2012 2:06 PM EDT
Nice idea, but he painted it while in an asylum in St. Remy in the south of France on the coast of the Mediterranean. too far south to see the aurora.
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Wnderer
10/12/2012 1:02 PM EDT
Wow. What a conundrum. I advice you to give the whole thing up, drink a lot of beer and melt the bottles in the kiln. But that's me. I'm practical.
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