I'm partial to female voices. I love the elegiac voices of Anonymous Four, or Sequentia on the music of Hildegard von Bingen (a 12th-century abbess). But it was a Madonna CD, "You Can Dance," that I just happened to have when I hit the sound demos at the Microsoft Windows Hardware Engineering Conference. WinHEC seems the same sort of vehicle for introducing new products as, say, the Intel Developer Forum. Certainly, STMicroelectronics used it to announce a partnership with VideoLogic on next-generation 3-D graphics chips (jumping, like a bumblebee, from a previous partnership with Nvidia). And a British startup, PixelFusion, demonstrated some pixel-array processing concepts it hopes will bring scalable performance to 3-D graphics apps.
Yet the tone on the floor was subdued, as if computer-peripheral IC manufacturers had concluded they could not compete with Microsoft, which was promoting Universal Plug-and-Play, home networking and a "Consumer Operating System."
It was a good environment for audio. VLSI Technology demonstrated PCI boards using its ThunderBird audio accelerator. The part implements a 3-D audio algorithm developed by QSound Labs that allows a listener the widest possible "sweet spot." The device also implements a QSound multi-speaker system algorithm that converts stereo channels to quad.
Texas Instruments showed "Digital Speakers," a sense of what would happen if an equalizer D/A converter-a low-end DSP controller-were inserted in the sound-processing chain from USB PC output to the power amp in the speaker house. TI marketing manager Jay Srage argued that simple digital electronics could overcome deficiencies in otherwise inexpensively made speaker systems.
To demonstrate, he did an A-B switch comparison between an unequalized (supposedly "flat") amplifier-speaker combo and one equalized with the TI part (and a Windows PC-based control console). The effects of the equalization were not particularly dramatic on the lone voice and viol on the Sequentia Hildegard CD (though it did bring tears to the eyes of a Texas engineer who apparently had never heard this stuff before). But on the jumpy, percussive Madonna dance music, the A-B switch made the entire sound stage collapse-explode. Never mind "sweet spot"; the difference could be heard clear across the room.